Saturday, November 3, 2007


A caricature is either a portrait that exaggerates or distorts the essence of a person or thing to create an easily identifiable visual likeness, or in literature, a description of a person using exaggeration of some characteristics and oversimplification of others.
Caricatures can be insulting or complimentary and can serve a political purpose or be drawn solely for entertainment. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines.
The term is derived from the Italian caricare- to charge or load. An early definition occurs in the English doctor Sir Thomas Browne's Christian Morals (first pub.1716).
Expose not thy self by four-footed manners unto monstrous draughts, and Caricatura representations.
with the footnote —
When Men's faces are drawn with resemblance to some other Animals, the Italians call it, to be drawn in Caricatura
Thus, the word "caricature" essentially means a "loaded portrait". According to caricature teacher Sam Viviano, who stressed this definition of the term in the classes he taught at the School of Visual Arts in New York City, the term refers only to depictions of real-life people, and not to cartoon fabrications of fictional characters, which do not possess objective sets of physiognomic features to draw upon for reference, or to anthropomorphic depictions of inanimate objects such as automobiles or coffee mugs. Walt Disney on the other hand, equated his animation to caricature, saying the hardest thing to do was find the caricature of an animal that worked best as a human-like character.

Caricature History
See list of caricaturists.
George Cruikshank (1792-1878, British) created political prints that attacked the royal family and leading politicians (in 1820 he received a royal bribe of £100 for a pledge "not to caricature His Majesty (George III of the United Kingdom) in any immoral situation ." He went on to create social caricatures of British life for popular publications such as The Comic Almanack (1835-1853) and Omnibus (1842). He also earned fame as a book illustrator for Charles Dickens and many other authors.


Honoré Daumier (1808-1879, French) is considered by some to be the father of caricature. During his life, he created over 4,000 lithographs, most of them caricatures on political, social and everyday themes. They were published in the daily French newspapers (Le Charivari, La Caricature etc.)


Thomas Nast (1840-1902, American) was a famous caricaturist and editorial cartoonist in the 19th century and is considered by some to be the father of American political cartooning. He is often credited with creating the definitive caricatures of the Democratic Donkey, the Republican Elephant and Santa Claus.


Al Hirschfeld (1903 – 2003, American) was best known for his simple black and white renditions of celebrities and Broadway stars which utilized flowing contour lines over heavy rendering. He was also known for depicting a variety of other famous people, from politicians musicians, singers and even television stars like the cast of Star Trek: The Next Generation. He has was even commissioned by the United States Postal Service to provide art for U.S. stamps. Permanent collections of Hirschfeld's work appear at the Metropolitan Museum of Art and the Museum of Modern Art in New York, and he boasts a star on the St. Louis Walk of Fame.


Mort Drucker (1929 - , American) Drucker joined Mad magazine in 1957 and has become well known (and revered by some) for his brilliant parodies of movies and television shows. He manages to combine a comic strip style with consistent photographic likenesses of film and TV stars panel after panel. He has also contributed covers to Time magazine. He has been recognized for his work with the National Cartoonist Society Special Features Award for 1985, 1986, 1987, and 1988, and their Reuben Award for 1987.


Robert Risko (1946 – , American) is known for his retro airbrush style. His work has appeared in Rolling Stone, Playboy, Vanity Fair, Esquire, and Interview.


David Levine (1926 – , American) is noted for his caricatures in the The New York Review of Books and Playboy magazine.. His first cartoons appeared in 1963. Since then he has drawn hundreds of pen-and-ink caricatures of famous writers and politicians for the newspaper.


Sam Viviano (1953 – , American) has done much work for corporations and in advertising, having contributed to Rolling Stone, Family Weekly, Reader's Digest, Consumer Reports, and Mad, of which he is currently the art director. Viviano's caricatures are known for their wide jaws, which Viviano has explained is a result of his incorporation of side views as well as front views into his distortions of the human face. He has also developed a reputation for his ability to do crowd scenes. Explaining his twice-yearly covers for Institutional Investor magazine, Viviano has said that his upper limit is sixty caricatures in nine days.


Sebastian Krüger (1963 – , German) is known for his grotesque, yet hyper-realistic distortions of the facial features of celebrities, which he renders primarily in acrylic paint, and for which he has won praise from The Times. He is well known for his lifelike depictions of The Rolling Stones, in particular, Keith Richards. Krüger has published three collections of his works, and has a yearly art calendar from Morpheus International. Krüger's art can be seen frequently in Playboy magazine and has also been featured in the likes of Stern, L'Espresso, Penthouse, and Der Spiegel and USA Today. He has recently been working on select motion picture projects.


Hermann Mejia (Venezuelan) is known for his frequent work for MAD Magazine. Mejia uses multiple techniques for his work, sometimes rendering his illustrations in black & white ink and copious amounts of cross-hatching, sometimes using watercolor, and sometimes combinations of both.


Jan Op De Beeck has published several books on caricature and was named "World's Best Caricaturist" in 2003 by a group of professional cartoonists in Iran.


Ryan Holman [Liman] Revered widely as the originator and master of the "square on the left, round on the right" method of caricature. Mr. Holman coined the phrase "Hey, how-bout-you?" - used for hustling potential "victims". Esteemed graphic novelist Rob Liefeld calls Ryan, "The most line usingist inksmith the caricature world has ever seen!" When not competing in Scrabble and Yahtzee tounaments, he can be found performing the "Ryan Holman Show" daily at the wicked awesome Kalahari Resort in beautiful, lakeside Sandusky, Ohio.

The science of caricature

Anime
Manga
Cartoon
Satire
Physiognomy
Zoomorphism
Jyllands-Posten Muhammad cartoons controversy

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